Mother! (2017) Film Review

Innocent people misplace themselves, and it can go horribly wrong over time. This is a key anticipation in ominous thrillers that shatter the weak fibers of the noble, cheat the esteem and worth out of the loyal, and scare the living hell out of the delicate and gentle.

Mother! hits close to home here. Or at least what Jennifer Larence is trying to make her ideal home. The script is isolation felt and primitive in a way. It possess a perfect absence of humanity at the right times from none other than people of groups that should be humanitarian.

The Poet (Javier Bardem) experiences an uncanny and flammable surge of popularity that seems to me to be Aronofsky's stabs at the mortality of the trends in our culture. I can't help but see a serious criticism of counterculture, art, and cultish fascination in authorship. The film is also clearly empathetic and sympathetic to the effects of society on the purity of matriarch.

The division of principal and policy between the sexes due to a male dependency on modern information systems, activism, religion, and politics. None of which are necessary for survival, but are capable of profit, alternative lifestyle, and most fearfully: collective madness and even terrorism.

The surrealism of the film is symbolic in a way that adheres to the great Fall Of The House of Usher by: Edgar Allan Poe. However; instead of guilt in the subconscious surfacing and dismantling the home...we are seeing attraction and influence from external mediums tear the walls down in Mother!

Perhaps Mother! bravely suggests that we are to consumed with ideology and societal reformation. That our beliefs in the possibilities of liberty and freedom distract us from the very foundation we are obliged to rightfully and naturally protect. Yet in this fundamental  tale Eve wasn't the one who ate the apple.